The Lorenzo's Music Podcast

In this episode of Lorenzo's Music Podcast, I meet members of the band Waxlimbs, Lex, Paul, and Olivia. They tell me about the evolution from electronic musicians to a full band. We discuss their backgrounds and experience that shaped their sound. We talk about their creative process on their recent single "By the Neck" and recording it.

We also explore their DIY style, from building their own stage lighting setup to designing the bird masks they wear on stage. They also tell me about their concert film "From the Garden."

In this episode of Lorenzo's Music Podcast, I meet Ryan Corcoran and briefly Eric Hartz, of the band The Flavor That Kills. We discuss their latest album, Thunderbird Lodge, which is the second part in a three-part concept album series. Ryan talks about the origins of the band, how it evolved from his previous project, Awesome Car Fun Maker, and the recording process that involved piecing together ideas in the studio rather than coming in with fully formed songs.

He tells me the album follows a cyborg character with extra-dimensional beings. All the while, Eric, who was camping in the wilderness, keeps popping in and out of the interview because of the spotty connection he has at his cabin, which was very amusing.

In this episode of Lorenzo's Music Podcast, I meet Max Oakland, a musician who also develops his own retro video games. Max talks about making and releasing music as well as making the music for his games.

We discuss his latest song, "Kim Gordon," and the creative process behind it and the influences.

Max also develops his games to be played on Game Boy, like his recent project, "Wink in the Broken Robot."

In this episode of Lorenzo's Music Podcast, I meet Jonathan, the person behind the band Negative Players, a self-proclaimed "hypothetical indie rock band" from southwest Michigan.

Jonathan's initial vision to create music with family evolved into this solo endeavor. He discusses the creative process behind his music, drawing inspiration from iconic bands like The Beatles and 90s indie rock such as Sonic Youth and Pavement. He talks about songwriting, including his recent forays into banjo and ukulele, and how these instruments have influenced his sound.

Jonathan also tells me about recording in the DAW, Ableton Live, and using his methods for programming drums and arranging tracks. We talk about the challenges of being a solo artist in a band-centric world and the online platforms like Mastodon and its community in promoting his work.

In this episode of Lorenzo's Music Podcast, I meet Dave Mallick, a dedicated volunteer for the Internet Archive, specifically focusing on the Live Music Archive. Dave shares how he started as a music enthusiast and recorder, archiving live music from the late 90s to the present day.

We talk about the evolution of the Live Music Archive, its role in preserving high-quality recordings, and the challenges faced in obtaining permissions from artists. Dave discusses the process to standardize and distribute live recordings, highlighting the importance of community contributions in maintaining this extensive collection.

We also mention the various formats available for uploads and lossless audio of live recordings. Dave mentions the cultural preservation aspect of the Internet Archive and encourages musicians and fans alike to contribute their recordings.

In this episode of the Lorenzo's Music Podcast, I have a fascinating conversation with Jean-Baptiste Kempf, the lead of the VLC open source project, which has been a staple in multimedia for nearly two decades. Jean shares the origins of VLC, tracing back to a student project in Paris, and how it evolved from a niche solution for streaming video on local networks to a widely used media player that supports an extensive range of codecs and formats.

We talk about the challenges of maintaining this project, community contributions, and how VLC has managed to remain relevant even today. Jean discusses the project's commitment to accessibility and quality, emphasizing the need for open-source alternatives in a world increasingly reliant on corporate platforms for media consumption.

We also talk about its ongoing efforts to ensure that users can play any media format, new & old, preserving access to all kinds of media.

In this episode of The Lorenzo's Music Podcast, I meet Owen Williams, a developer to the MIXXX Open Source DJ project. Owen tells me about how he went from being a DJ enthusiast to actively contributing to the software he uses to perform. We also talk about the origins of MIXXX and how it has evolved since it began in 2002.

Owen explains how they maintain the open-source DJ platform, including the importance of community contributions and the continuous improvements being made to the software. We discuss digital DJing, the transition from traditional turntables to digital controllers, and the unique features MIXXX offers, such as support for various audio plugins and streaming services.

In this episode of Lorenzo's Music Podcast, I meet Carles Barrobes, a software engineer from Barcelona, who is part of a collective building a platform for musicians called Fairplayer, a project aimed at helping artists outside of mainstream streaming platforms with a more direct connection with their listeners.

Carles tells me about how Fairplayer is designed to promote decentralized music, the challenges of building a cooperative model, and how Fairplayer serves as a bridge between musicians and their own platforms.

We discuss how Fairplayer works, including its verification process for artists and integrating with other platforms like Mirlo, Faircamp, and more to enhance discoverability and funding for musicians.

In this episode of Lorenzo's Music Podcast, I meet Johannes Ernst, who is involved with the Unconference FediForum. Johannes is deeply involved in the Fediverse. We delve into the concept of unconferences and how they foster open discussions about technology, and I want to learn how something like this could be created for music.

Johannes talks to me about his history in classical music and his involvement with community management, and how he founded the FediForum, a platform for people passionate about decentralized social media to connect and collaborate.

We explore the unique structure of unconferences, emphasizing their interactive nature, where participants create the agenda based on their interests. Johannes explains the challenges and opportunities of organizing these events online, especially in a global community. We discuss ways of creating a supportive environment like this for musicians to connect and share ideas in a non-traditional setting.

In this episode of Lorenzo's Music Podcast, I meet Brandon Lucas Green, creator of the new site for musicians called Unstream. Brandon tells me about being a musician and also a product builder, specifically his latest project, Unstream. This app helps music lovers discover where to support their favorite artists beyond mainstream streaming services, aiming to help independent musicians financially by sharing their non-streaming platform info.

We discuss Brandon's musical background, from classical piano training to alternative rock and experimental genres. Brandon also tells me about his experiences in the tech industry and the importance of transparency in building community-driven projects like this.

In this episode of Lorenzo's Music Podcast, I meet Cory Casciato, also known as Ether Diver. Cory talks about starting out as a music journalist to becoming a musician and also a creator of sample packs and presets for synthesizers. We discuss sound design and the tools he uses to make music for both digital and physical synthesizers.

We talk about music interests, from his early influences and what inspires him creatively today, along with his recent music project "Mechanics of Mysticism". We also talk about his community music review project, "Other People's Music," where he reviews independent artists' tracks, to hear new music and connect with the people who make it.

In this episode of Lorenzo's Music Podcast, I meet Jay, who runs the music calendar website mkeshows.com, a community calendar dedicated to showcasing live music events in Milwaukee. Jay talks about becoming involved in the DIY music scene and connecting local artists and audiences through this centralized calendar. We discuss the challenges of show promotions and the innovative use of Gancio, the open-source federated calendar software that powers his site.

Jay tells me about his history in the music scene over the years, including his work with various bands like Milorganaut and his involvement in the now-defunct Borg Ward venue. He also shares insights into his new project, Fall Tragedy, and his upcoming tour in Japan. We mention the importance of grassroots efforts in promoting local music and the potential for mkeshows.com to become a great resource for both artists and fans.

In this episode of Lorenzo's Music Podcast, I meet Andy Piper, the head of communications for Mastodon, to talk about his involvement with Oggcamp, a unique unconference that runs on collaboration and creativity.

We discuss the origins of Oggcamp, its roots in the Ogg Vorbis audio format, and how it has evolved into an event for tech enthusiasts and creators. Andy explains the unconference format, where attendees can propose topics and engage in discussions that spark new ideas and collaborations. I wanted to ask him about the potential for a similar model in the music industry, where musicians can connect, share, and innovate together.

Andy also talks about his work at Mastodon, and the platform's commitment to decentralization and community-driven content in a federated social network.

In this episode of Lorenzo's Music Podcast, I meet Randy, a musician known as Lime Bar. We talk about how he got back into music after a long hiatus. Based in Indianapolis, Randy discusses how the pandemic reignited his passion for music creation, diving into digital tools and collaborating with other artists on the Fediverse.

He tells me his experiences with MIDI and Cakewalk, reflecting on how technology has transformed music production since the 80s. Randy covers his approach to blending video and audio for his projects. We also cover his involvement with Indie Beat TV, a platform he helped build to showcase indie music videos to support other artists through community engagement.

In this episode of The Lorenzo's Music Podcast, I meet Timezone LaFontaine, a multimedia artist based in Asheville, North Carolina. Timezone is a Creative Commons musician, animator, and comic creator. We discuss these creative pursuits and how he finds time and inspiration to create.

Timezone tells me about his approach to making music, including his use of spreadsheets to organize album projects and collaborate with other artists from the BlocSonic Netlabel. Plus, we also talk about his latest album, "The Unrealist," and the comic series he’s been developing, "Zoom Bats."

In this episode of The Lorenzo's Music Podcast, I talk with Ryno, also known as Ryno the Bearded, a long-time podcaster and passionate supporter of Creative Commons music. Ryno talks about hosting his Creative Commons music podcast for over 15 years, discussing how he celebrates open culture and connects with independent artists around the world every Friday night.

Ryno explains how he curates his extensive library of over 5,500 Creative Commons tracks, how he finds new music, and the importance of supporting independent musicians. Ryno also tries to help the music community by promoting artists.

In this episode of Lorenzo's Music Podcast, I meet fluffy, a VR musician behind Sockpuppet. fluffy tells me about their unique approach to music creation, blending genres from alternative rock to EDM. fluffy discusses their experiences performing in VR chat environments, the challenges of hand tracking, and other things involved in virtual performances.

We also talk about Canimus, a project they are working on aimed at creating a decentralized music distribution platform, participating in game jams, and the Trans Academy, where fluffy volunteers as a lead composer.

In this episode of Lorenzo's Music Podcast, I meet the live coding duo known as Crash Server, two musicians, both named Sebastian, from Strasbourg, France. They share their unique approach to creating music and visuals through live coding. They improvise and generate sound in real-time using programming languages and software like SuperCollider and Troop.

They tell me how they met through workshops and the evolution of their sound, which incorporates elements from various genres, including electronic, jazz, and punk. They discuss their live setup, which includes laptops, guitar effects, and the use of text-to-speech technology.

They also tell me about their upcoming projects, including a new album.

In this episode of The Lorenzo's Music Podcast, I sit down with Paul Davis, the original developer and current maintainer of Ardour, the open-source digital audio workstation. Paul shares the story behind Ardour's creation, which began over 25 years ago when he struggled to find a usable music production solution on Linux.

Paul discusses managing a project like Ardour, from development tasks to responding to user inquiries in the community. We also talk about how his collaboration with other projects, like Harrison Mixbus, helps the project. And Paul shares info about the upcoming release of Ardour 9, which will have new features, including a more intuitive MIDI setup and enhanced clip/cue recording capabilities.

In this episode of Lorenzo's Music Podcast, I meet Robert Kaye, the founder of MusicBrainz and the MetaBrainz Foundation. Robert talks about creating MusicBrainz, a community-driven music database that emerged as a response to the privatization of the CDDB database. We explore the impact of open-source communities and the importance of collaboration in building it's music metadata infrastructure.

Robert shares the challenges he faced, from navigating community dynamics to the evolution of MusicBrainz over the past 25 years. We discuss the creation of Picard, the tagging application for users' music collections, and how MusicBrainz is a resource for artists and music collectors alike.

Robert also talks about his other projects, including ListenBrainz, which aims to enhance music discovery and recommendations for local collections.

In this episode of Lorenzo's Music Podcast, I chat with Jonatan Galindo Alvarez, also known as ArtistSynth, a musician and sound designer based in the Canary Islands. We explore Jonatan's open-source music production, focusing on his experiences with Linux operating systems like Ubuntu. He shares insights into his creative process as a composer for video games.

Jonatan discusses his eclectic music style and how he adapts his sound for various game genres. We delve into his participation in game jams and how they have helped him connect with developers seeking original soundtracks. We also talk about his live performances using Bitwig and the innovative ways he incorporates hardware synths into his workflow.

In this episode of Lorenzo's Music Podcast, I talk with Erich Eickmeyer, the project leader for Ubuntu Studio, a Linux-based operating system tailored for musicians, artists, and filmmakers. Erich shares the evolution of Ubuntu Studio, from its inception in 2007 to its current KDE Plasma interface, and discusses the unique features it has for creators. We dive into the technical aspects of audio production, including the integration of JACK and the recent transition to PipeWire, which simplifies audio routing for users.

Erich also talks about the process behind selecting software and plugins for Ubuntu Studio, the importance of community feedback and the evolution of open-source tools. We discuss the challenges of maintaining Ubuntu Studio, as well as what's coming in the next release.

In this episode, I interview AxWax about his remix of the track 'If I Was Alone' from our 'Lorenzo's Remixes, Volume 2' album. We discuss the creative process behind the remix, including tempo changes, drum sampling techniques, bass line innovations, and the use of synthesizers. AxWax also shares insights into his production methods and the unique sound he created.

In this episode of Lorenzo's Music Podcast, I talk with Headsnack, a music producer and DJ, who recently remixed our track "Friction Called Quest" for the album "Lorenzo's Remixes Volume 2". Headsnack takes us through his creative process, sharing how he managed to incorporate sounds from multiple tracks of ours into one remix, all while working against a tight deadline.

We delve into the aspects of his remix, including samples, the offbeat piano elements, and the approach to creating a bass sound that complements the rhythm. Headsnack discusses his workflow using the MPC-like device integrated with Ableton and how it allows him to sketch out ideas and manipulate sounds.

Headsnack also shares insights into his latest projects, including his album "Cancel the Remix," and his work with the improvisational group Eli and the Mannings.

In this episode of Lorenzo's Music Podcast, I talk with Jason Erb from Velcro Mary about the remix he did of our track "Friction Called Quest" for our album Lorenzo's Remixes, Volume 2. Jason shares his creative process, detailing how he transformed the original song by reworking the beats, chopping up lyrics, and reimagining the overall structure.

We discuss the technical aspects of his remix, as well as the tools and software he used, including Apple Logic, and how he achieved a unique swing in the drum beats. Jason reveals his approach to manipulating the original vocals and instrumentation, and how limitations sparked some creativity in his remixing process.

In this episode of Lorenzo's Music Podcast, I talk with Joe Cannon, the guitarist and vocalist from the Milwaukee-based band Resurrectionists. Joe talks about how academia brought him to Milwaukee, where he got involved in the music scene.

We dive into the origins of Resurrectionists, exploring the band's evolution and its unique sound that blends elements of punk, Americana, and experimental rock. Joe discusses the songwriting process, revealing how he often revisits older material while also crafting new songs.

Additionally, we talk about the band's latest EP, "Anytime You Make a Place for Them," and the creative decision to pair it with an Oracle deck. Joe explains the significance of the grandfather clock motif that has become a recurring theme in their artwork and music videos.

In this episode of Lorenzo's Music Podcast, I sit down with Setto, a multifaceted musician and entrepreneur who runs the innovative platform Basspistol. Setto shares his journey from graphic designer to musician, revealing how his passion for electronic music led him to create a community-driven space for artists.

We explore the origins of Basspistol and its evolution into a net label and hosting platform. Setto discusses the challenges and rewards of promoting independent music through self-hosted and federated platforms like PeerTube, emphasizing the importance of community and collaboration.

Setto also dives into the concept of digital literacy and the political implications of choosing free and open-source software over mainstream platforms. He provides insights into the unique features of Basspistol, including their event calendar powered by Gancio and the organic growth of their community.

In this episode of Lorenzo's Music Podcast, I meet Andre Michelle, an innovative creator in the music technology space, to discuss his latest project, OpenDaw. Andre talks about how he started as a DJ in the '90s and went on to develop audio applications.

We delve into the evolution of his previous project, AudioTool, and how it laid the groundwork for OpenDaw. Andre explains the philosophy behind OpenDaw, emphasizing his desire to facilitate collaborative music creation without the constraints of traditional DAWs. We explore the unique features of OpenDaw, including collaboration, modular device creation, and the ability to use personal sample libraries from various cloud services.

Andre also shares insights on the challenges of transitioning the projects from Flash to HTML5 and JavaScript, and the importance of community involvement in shaping the future of OpenDaw, with a focus on accessibility and creativity.

In this episode of Lorenzo's Music Podcast, I meet Roberta Fidora, an eclectic electronic musician, animator, and occasional puppeteer. Roberta began playing music at an early age with an unexpected detour from saxophone lessons to electronic organ classes. We discuss her unique blend of music and animation, exploring how she intertwines these art forms to create visual music experiences.

We discuss her evolution as an artist, from her time in the post-punk scene to her current solo work. Roberta reveals the creative process behind her latest projects, including her use of puppetry and animation in music videos, and how she builds her songs around visual concepts.

In this episode of Lorenzo's Music Podcast, I meet Kirsten Lambertsen, the creator of Indie Beat FM, an innovative online radio station for independent musicians. Kirsten shares the inspiration behind Indie Beat, which emerged in response to the need for a platform that prioritizes artist discovery without the constraints of traditional streaming services.

We delve into how Indie Beat integrates with Bandwagon.fm, allowing artists to share their music across genres and channels. Kirsten explains the curation process, emphasizing the importance of artist-tagged genres and the collaborative spirit that defines the platform. We discuss the challenges of running an independent music station, including the technical aspects of streaming and the community-driven approach that makes Indie Beat unique. Kirsten also shares her vision for the future of the platform, including the potential for artist-run stations and personalized playlists that foster deeper connections between listeners and musicians.

In this episode of Lorenzo's Music Podcast, I talk with Mr. StepdaddyMone, hip hop artist and video creator based in Milwaukee WI. We talk about his music, starting from his early days in junior high school, where he was inspired by the hip hop culture of the early '90s. Mr. StepdaddyMone shares the story behind his unique name and how it reflects his mature approach to music and life.

We discuss the evolution of his sound, describing his current style as a blend of laid-back hip hop with a focus on storytelling and personal experiences, particularly relating to relationships. He also gives us insight into his collaborative work with his group and the creative process behind their music.

We also talk about his innovative approach to music videos, using toys and green screen techniques to bring his imaginative concepts to life. We explore his recent projects, including his songs "Square Love" and "Switcheroo," both of which feature retro visuals that complement his lyrical themes.

In this episode of Lorenzo's Music Podcast, I meet Gabe Kangas, the maintainer and primary developer of Owncast, free and open-source live video streaming software. Gabe shares the inspiration behind Owncast, which emerged during the pandemic as a response to the challenges musicians faced with mainstream streaming platforms. We explore how Owncast allows users to host their own live streams without relying on big tech companies, offering a self-hosted alternative for artists and creators.

Gabe discusses the technical aspects of setting up Owncast, including server requirements and the cost-effectiveness of hosting your own streams. We talk about the user experience, including how to integrate chat features.

In this episode of The Lorenzo's Music Podcast, I meet Keith Marshall, also known as the musician of Key 13 as well as several other music projects. Keith shares his musical background, sparked by the purchase of a NanoKey 2 during the onset of the stay home order. We talk about his inspirations, including the backstory of his band name and the eclectic sounds he creates using virtual instruments.

Keith also discusses his role in createing the Faircamp Webring and being part of the Bonkwave community. We also talk about the role federated platforms have in fostering a collaborative music environment as well as the concept of Fair Traded Music Friday which is aimed at promoting independent artists and their releases across federated platforms.

We also explore the technical side of his music production, including his use of Logic Pro, plugins to achieve guitar sounds, and synth textures.

Keith also tells me about his latest compilation, "Pretentious Incongruity," which revisits and remixes his past works.

**(Updated sound, fixing clipping issue on AxWax's audio)**

In this episode of Lorenzo's Music Podcast, I meet Axel, also known as AxWax, a musician currently residing in Spain. Axel shares his background of studying music technology in the UK to becoming involved in creating a community radio station and tells us about getting started in the Bonk Wave music scene.

We dive deep into Axel's experiences in establishing a community radio station from scratch, the challenges of securing funding, and the evolution of his music career. He discusses his early days in hip-hop, collaborating with artists, and how he transitioned into creating music under his AxWax moniker.

In this episode of Lorenzo's Music Podcast, I meet Simon Vansintjan, a web developer and musician, to explore the innovative platform Mirlo. Designed as a collectively owned digital marketplace for music, Mirlo aims to provide an open-source alternative to conventional platforms like Bandcamp, emphasizing community and transparency.

Simon shares the story behind Mirlo and discusses the challenges of building a music platform without venture capital. We delve into the unique features of Mirlo, including its subscription model that allows artists to offer their music and merchandise directly to fans while fostering a sustainable income stream.

We talk about the importance of cooperative ownership in the music industry, the platform's support of Creative Commons licensing, and the vision for creating a supportive community for musicians. Simon also highlights the technical aspects of Mirlo, including its user-friendly interface and the ongoing development to enhance the listening experience for users.

In this episode of Lorenzo's Music Podcast, I meet Simon Repp, a talented software developer focused on creating tools for musicians. We delve into Simon's projects, primarily Faircamp, a static site generator for musicians that allows them to host their music independently, much like Bandcamp but without the platform constraints.

Simon shares the origins of Faircamp, inspired by his own experiences as a musician and his desire for a platform that prioritizes simplicity and independence over commercial competition. We explore the technical aspects of Faircamp, including its foundation on Rust for efficient and bug-free coding, and its innovative use of FFmpeg for audio file conversion. Simon explains the concept of a "soft pay curtain," a unique approach to voluntary payments for music downloads.

We also discuss the challenges and opportunities of self-hosted platforms, the role of static site generators, and Simon's commitment to maintaining Faircamp as a low-maintenance, accessible tool for musicians. Additionally, Simon talks about his other project, Hyper 8, a similar tool for video producers, and his vision for the future of these projects.

In this episode of the Lorenzo's Music Podcast, I chat with Honeychild Coleman, a multifaceted musician and visual artist based in Brooklyn, NY. Our conversation kicks off with the unique story of how I first learned about this musician and quickly delves into Honeychild's journey from art school illustrator to street-performing musician. Honeychild shares insights into managing multiple bands, including the blues-punk group The 1865, and discusses her solo projects and collaborations with various artists.

Honeychild also talks about her experience busking in the New York subway, the creative process behind her music, and her involvement in the documentary "Rock Chicks." The discussion touches on her recent foray into writing and her contributions to the anthology "Black Punk Now." Honeychild reflects on the challenges of promoting her work across different platforms and maintaining a distinct voice for each of her creative ventures.

In this episode of Lorenzo's Music Podcast, I meet Meljoann, a multidisciplinary artist from Ireland, now based in Brighton, UK. I heard about Meljoann on the federated social platform Mastodon, where I learned about our mutual passion for free and open-source music creation.

We talk about Meljoann's unique music style, "Hyperjack," a term they coined to describe their blend of New Jack Swing influences with modern electronic elements using tools like Reaper and a mix of hardware and software synthesizers.

The conversation also explores the challenges and opportunities of releasing music independently in the digital age. Meljoann discusses their use of Fairamp, a self-hosted platform for musicians, and their involvement in the federated music community, including involvement on Radio Free Fedi and Peertube.

Additionally, Meljoann talks about their upcoming album "Status," set for release in March, and their innovative approach to music promotion.

In this episode, we delve into the process behind a collaboration for Lorenzo's Remixes Volume 1. Toucon aka Connor Lipke, provided a beat that became the foundation for a remix of the song "Slippery friction". The discussion covers the nuances of beat creation, starting with the basics of a drum loop and building upon it with synth layers using the VST, Serum.

We look at the original FL Studio session for the beat Toucon made using a Novation Launchkey MIDI keyboard. We talk about the use of one-shot drum samples and drum packs from various producers for the beat-making process.

Toucon also discusses the challenges and strategies of selling beats online, including the use of platforms like BeatStars and maintaining relationships with artists for the beats he creates.

This interview was recorded during an Instagram live session.

In this episode musician Nicholas Burgess, returns to the show. This time, we talk about Nicholas's creative process for remixing our song "Rainy Day Friction" for our EP Lorenzo's Remixes Volume 1. We have a discussion about the techniques Nicholas used and the artistic decisions he made on the track.

This interview was recorded during an Instagram live session, Nicholas shares his method of starting with the original song's stems, selectively retaining parts like the bass, and building upon them with his own musical style. He explains his focus on the song's chorus and how it influenced the structure of the remix, drawing parallels to contemporary pop songwriting methods.

You'll also hear about Nicholas's approach to layering instruments, MIDI synths, and the creative effects he applies to achieve the remix's unique sound. Additionally, Nicholas discusses his vocal contributions to the track and how he balanced them with the original vocals.

Nicholas also has a new album release, "MEJORA MAJORA" that came out in October. He provides a glimpse into the album's production process including physical formats.

In this episode of Lorenzo's Music Podcast, I chat with Nicole and Sam from the band Mr. Gnome. They started as a two-piece band but have since evolved, bringing Sam's brother Jonah into their live performances. Currently on tour for their new album, we dive into their journey, discussing their recording setup, the evolution of their music, and the creative process behind their albums and videos.

We explore how Mr. Gnome started in 2005, self-releasing their first EP and gradually gaining momentum through live shows. Nicole and Sam share insights into their DIY approach, including starting their own record label and the decision-making process behind recording at home.

We also touch on their unique approach to album artwork, which involves creating elaborate photo collages, and the collaborative effort within their family to bring their artistic visions to life.

Check out Mister Gnome on their website and social media:

In this episode of the Lorenzo's Music Podcast, I chat with Kristian, an electronic rock musician from Seattle who performs under the moniker US3R. We dive into his fascinating journey from a solo musician to collaborating with a bandmate, and how his setup has evolved to include both synths and guitars. Kristian shares details about his live rig, which features a blend of Moog synthesizers, guitars, and a sophisticated in-ear monitoring system. We explore how he uses a digital audio workstation (DAW) to enhance his portable stage set up.

Kristian also takes us through his creative process, discussing his latest album "Rise of the Midnight Sun" and the inspiration behind the track "Nightmare." We delve into the technical aspects of his live setup and a custom-built Wi-Fi network for seamless integration of lights and effects.

Check out US3R on Spotify:

In this episode, I chat with music producer Joshua Hudes about his recent remix of our song "Slippery Friction." We discuss the inspiration behind the remix, particularly how the vocals screamed for distortion and how he managed to create an industrial drum loop using scrap metal sounds. The conversation covers his approach to setting strict artistic limits and how this enhances his creativity. He shares insights into his fast-paced working style and how he uses tools like Melodyne to transform original tracks into something entirely new. We also explore the intricacies of adding unique effects like radio sounds and experimental reverb, and his admiration for the early industrial music scene.