Jerry Gogosian's Art Smack

On this episode Magnus Resch is back with Hilde to talk about last week in New York as the Art World season begins. As the floor falls out from beneath the current Art Market, it feels like genuine industry change has to come. Who is going to do it? Where will it come from? Neither Hilde nor Magnus are ready to concede that we are truly in the midst of the Art Apocalypse.

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In this episode of 'Art Smack, Hilde Lynn Helphenstein, also known as Jerry Gogosian, announces her transition to Patreon due to financial practicality, reflecting on the limitations of monetizing an art-focused podcast with a niche audience on a platform like Spotify. She candidly discusses the challenges and isolation that come with her unconventional career in the art world, highlighting recent travels, meetings with venture capitalists, and her efforts to blend art into mainstream culture. Hilde also delves into personal topics, including dealing with bouts of depression, navigating complex friendships within the industry, and her ongoing journey of self-healing and creative rebirth. Additionally, she touches on plans for future projects, potential exhibitions, and the nuances of participating in art fairs amid an uncertain economic climate.

Aloha from the oh so quiet Maui Airport, where host Hilde Lynn Helphenstein candidly recounts her transformative, creative, and mind opening journey in Maui.

Fresh from a yoga retreat with Nikki Doane, Hilde details her zen-filled adventure, complete with jungle-based yoga sessions, sporadic WiFi, and some unexpected drug experimentation.

Feeling super creative and excited for the upcoming year, Hilde feels really ready for the fall. Sharing a raw and heartfelt reflection on coping with heartbreak and personal loss, she finds herself rejuvenated and creatively inspired. Despite the occasional dip in patience at the airport, Hilde emerges with renewed energy to tackle her next challenge in Los Angeles.

In this episode of Arts Smack,host Hilde Lynn Helphenstein while stomping on the treadmill, dives Genz’s Victorian era of public performance via surveillance and wonders what their art will look like when everyone is afraid to express an uncouth impulse in public or their art. She then moves onto discussing our social credit score which doesn’t officially exist in the US but exists in Chia. She hypothesizes it will be there soon too. What do you think yours is?

Sorry for the first 300 listeners. The wrong file was uploaded and the audio was horrible. The raw file is actually better and I have now put it up. This is one woman show. Be patient with me. Also I can't sit still so you aren't going to get studio quality probably ever. I like doing things and talking to you.

Also, aren't you enjoying the inner monologue of my head?

In this episode of Arts Smack, host Hilde Lynn Helphenstein dives into her recent life experiences, ranging from navigating a packed travel schedule that includes work meetings in Los Angeles and a future yoga retreat in Maui. HIlde is also in the phase of development for Jerry 2.0 and has been boot camping with a friend of hers to make the numbers match the dream. She is currently looking for the right investor to join the mission. Hilde reflects on her commitment to tennis and fitness, divulging her seven-year health journey and gym routines. She shares her love for spontaneous art collecting, unobxing her successful junk store finds in Georgia. And finally, Hilde touches on the fleeting nature of the art world's fascination with artists, cautioning listeners to save and remain skeptical around excessive wealth. ostentation, and big empty promises. It is a trap so easy to fall into.

Join Hilde for a candid and cheerful exploration of summer adventures in the latest episode of the Art Smack Podcast! This episode, Hilde takes you through a whirlwind of experiences, while recording her podcast episodes from the gym.

Listen in as she share an underwhelming experience at Christie's Art and Tech Summit, and indulge in poetic reflections on exclusive art collection tours in Sag Harbor. Amidst the laughter and lightheartedness, our narrator opens up about the challenges of finding their next career move post-Jerry, the emotional toll of supporting a sick family member, and the ongoing quest for art that truly resonates.

With lovingly sly jabs at the absurdities of the art world sprinkled throughout, this episode is a thoughtful contemplation on brighter opportunities on the horizon despite the market downturn.

In this special episode of Art Smack, host Hilde takes you on a candid journey as she reflects on her evolution from a Hooters waitress to a prominent figure in the art world, all while heading to the 10th Christie’s Art+Tech Summit at the iconic Radio City Music Hall in New York City.

Join us on **July 16th and 17th** for this milestone two-day event that unites the realms of art, technology, entertainment, and business. The summit will feature a diverse lineup of founders, creators, investors, collectors, and thought leaders, all converging at the intersection of innovation.

As Hilde navigates her thoughts en route to the conference, she delves into the commercialization and technological integration of art, questioning the sustainability and authenticity of today’s art market dynamics. With a tone infused with curiosity and sardonic humor, she explores themes of nostalgia, the decentralization of Hollywood, and the often deceptive facade of success within the art industry.

Tune in for an engaging discussion that challenges conventional perspectives and invites listeners to reflect on the future of art in a rapidly evolving landscape.

In this podcast, recorded in a New York City yellow cab weaving through traffic, the host recounts their delayed arrival from an airplane-themed perspective, shares thoughts on the oppressive city heat, and compares JFK, LaGuardia, and Newark airports. The discussion meanders into a detailed preview of upcoming art shows in the galleries of New York, reflecting a mix of enthusiasm and critique about commercial art. The narrative then pivots to a critique of the art industry, focusing on the high-profile move of Hauser & Wirth’s owners from the UK to Switzerland amidst tax changes, finding dark humor in the logistics of art storage and LA's gentrification struggles. The monologue concludes with reflections on authenticity in art appreciation, emphasizing the value of personal connection over commercial validation.

In this segment of Art Smack, Hilde Lynn Helphenstein recounts her latest adventures in Georgia, from battling mold in historic hotels to exploring local art galleries. She stumbles upon a macabre painting titled 'The Sisters of Salem,' which intriguingly adds to her art collection. Hilde transitions between her personal anecdotes, such as bonding with her nephew and enduring the southern heat, to insightful observations about the commercialization of art. Critiquing how poorly art is marketed compared to luxury goods, Hilde advocates for more engaging, immersive art experiences. She emphasizes the importance of discovering art organically instead of relying on the conventional, often impersonal, art market mechanisms. Amidst these reflections, Hilde humorously navigates small-town charm, quirky shop offerings, and different religious practices, ultimately planning her departure to New York.

In this episode of Art Smack, Hilde recounts recent adventures and observations, blending anecdotes from a serendipitous discovery of a diamond bracelet on an airplane to the frustration of finding a yoga studio and the quirky charm of antique shops in Georgia. The adventure narrative dovetails into a critique of the contemporary art market's commercialization and the absurdities of maintaining multiple gallery locations and art fairs. Hilde underscores the need for a significant overhaul, more candid pricing strategies, and a shift toward authentic engagement and artistic weirdness, culminating in a call for more genuine, unfiltered experiences in the art world.

Change is well underway, so who will radically adapt to not just keep up, but to get ahead and to a model that is financially viable and thriving?

That is very much possible if people would stop complaining about doing all the fairs no one forced them to do and opening all the gallery locations no one forced them to do. Am I right?

In this episode of Art Smack, Hilde grapples with their own artistic identity while offering a vivid commentary on the rapidly changing art world. Struggling with doubts about continuing their podcast, they discuss an upcoming episode featuring Taylor Morrison, whom they liken to a compassionate, insightful contemporary art critic. The host emphasizes the transformative power of genuine engagement with art, contrasting it with the commodification and market-driven aspects prevalent today. As they critically reflect on industry shifts, such as Tim Blum closing his gallery due to disillusionment, they predict a future where the dematerialization of art and experiential engagements dominate. All of this unfolds during a rambling thrift store adventure in Georgia, peppered with personal anecdotes and reflections on the commercialization, accessibility, and the future of art.

In this episode, Jerry and Magnus dive into the growing commercialization of the art world. After relocating to South Florida, Jerry shares his frustrations with the high costs and unpredictable weather of New York. Magnus, on the other hand, passionately defends New York's vital role in the art scene, arguing that the physical presence in the city is essential for networking and success, even amidst the financial challenges.

They discuss intriguing developments like artist residencies at the World Trade Center, backed by the Silverstein family, which provide free studio space but also raise questions about branding and intent. The conversation also touches on significant shifts in the industry, including Ari Emanuel’s acquisition of Frieze, Art Basel’s expansion to Doha, and the merger of Artnet and Artsy under private equity. These changes reflect a landscape where financial interests are increasingly at the forefront.

Throughout their discussion, Jerry and Magnus grapple with the delicate balance between commercialization and artistic integrity, shedding light on the evolving dynamics that are shaping the future of the art world.

In this riveting episode, Hilde and Magnus dive deep into the latest UBS/Art Basel report by Dr. Clare McAndrew, revealing a stark reality: the art market has plummeted to 2009 levels. But don't hit the panic button just yet!

While Magnus brings his signature practical wisdom to navigate these turbulent waters, Hilde unleashes her unconventional, forward-thinking strategies that could transform crisis into opportunity. Together, they explore:

• The unexpected parallels between economic indicators and art market performance

• Creative survival strategies for galleries in a downturn

• Revolutionary approaches for artists to thrive despite market conditions

• Fresh perspectives on market adaptation that might just be crazy enough to work

Whether you're an artist, collector, or gallery owner, this episode offers both sobering insights and innovative solutions for reimagining success in today's challenging art market. Join us for a candid conversation that balances hard truths with hopeful possibilities—and maybe even a few of Hilde's characteristically bold predictions that might just reshape how we think about art market resilience.

Essential listening for anyone invested in the future of the art world. Prepare to be challenged, inspired, and possibly even a little shocked!

Magnus Resch and Jerry talk about LA Art Week and all the fun little things going on in our psycho art world.

In this episode, Hilde Lynn Helphenstein and Magnus Resch discuss the beautiful nebulous of what it feels like to truly love and connect with artists which in turn can amalgamate into a real, meaningful art collection.

Adam Lindemann stands as one of the art world's most dynamic forces, seamlessly bridging the realms of collecting, entrepreneurship, and gallery ownership through his renowned Venus Over Manhattan gallery. His trajectory from finance to becoming a pivotal figure in contemporary art has been marked by bold decisions and prescient insights, perhaps most notably captured in his influential book "Collecting Contemporary," where he turned the tables by interviewing other major collectors. His unique position as both a collector and gallerist has given him an invaluable dual perspective on the art market's mechanics and evolution.

I was absolutely thrilled to have Adam join me on Art Smack, where he brought his characteristic candor and deep market knowledge to our discussion. During our engaging conversation, he shared fascinating insights about the current state of the art market, his collecting philosophy, and his vision for the future of traditional galleries in an increasingly digital age. One of the most memorable moments was when I couldn't resist asking him if Andy Warhol would have liked me, given Adam's personal connection to the iconic artist. His ability to articulate complex market dynamics while maintaining an authentic passion for art made him an exceptional guest, offering our audience a masterclass in how to navigate the contemporary art world with both business acumen and genuine appreciation for the medium.

In a plot twist that shocked absolutely no one, the art world managed to keep spinning without its favorite commentator as Jerry Gogosian emerged from a 49-day digital sabbatical. Breaking her 18-year streak, Jerry (aka Hilde) skipped the glittering chaos of Art Basel Miami Beach and its satellite spectacles – proving that sometimes the best art move is no move at all.

Enter Magnus Resch, Jerry's trusted confidant and art market savant, who arrives bearing tales from the trenches. With his signature analytical prowess and insider knowledge, Magnus catches Jerry up on the wheeling, dealing, and occasional art-world reeling she missed while offline.

The conversation takes a delightfully cerebral turn as Jerry and Magnus explore the radical concept of "slow content consumption" (also known as reading books), dive into The Renaissance (the original art influencers), and discuss various consciousness-expanding practices – from yoga to Qi Gong – that don't involve staring at installation art through an iPhone screen.

The episode culminates in Magnus challenging Jerry to reflect on what truly draws her to the art world – now that she's had time to miss the beautiful circus she usually chronicles. A refreshingly honest conversation about art, authenticity, and the unexpected joys of disconnecting from the digital matrix.

On this episode we have Magnus Resch back on to discuss the very real art world recession and how we can adjust our thinking in these trying times.

On this week's bonus Art Smack, Jerry and Annie chat with Eric Shiner, the President of Powerhouse Arts in Brooklyn. Shiner talks about the non-profit's mission to support artists by connecting them with a network of fabrication professionals and educators. He explains how Powerhouse Arts aims to empower artists and foster the local creative community. The trio also gush over their shared love of Andy Warhol and his influence on the art world and their art careers. It's a fun, insightful episode that gives a glimpse into the important work Powerhouse Arts is doing to help artists thrive.

https://powerhousearts.org/

The Art World is heading into its summer slumber! While artists dive into their residencies or studios gear up for the fall, the Art World Elite are living it up on their mega yachts off the coast of St. Tropez. Zoe and Chloe will be "working" poolside in Hydra, enjoying cocktails and socializing until mid-July. Everyone's bound to make a stop in the Hamptons at some point...
But don't worry, we'll be back in the fall with a dazzling new look and sound! In the meantime, get excited for this episode of Art Smack with Jerry, Annie, and returning co-host Matthew Capasso as they dive into this week's art news and review Basel Summer Camp (Art Basel). Enjoy!

This week Jerry and Annie speak to Joseph Foudy, a distinguished Clinical Professor of Economics at NYU. He provides them with a lesson in micro economics with art as the basis. A unique perspective, he gives an understanding of market dynamics, pricing strategies, and the economic principles at play within the art world.

In this episode Jerry and Annie interview the Icy Gays (@theicygays). Art collectors from North Dakota, Rob and Eric Thomas-Suwall discuss how they fell in love with art, their taste's and how they came to collect the 250 pieces of contemporary art that make up their collection. With a focus on emerging women and queer artists their collection is currently on display in 'Full Disclosure' at The Plains Museum, ND.

In this episode, hosts Jerry and Annie discuss the fair that screams quiet luxury with their guest Tarka Russell as they gush over all the beauty of last week's affairs. They also discuss The Independent and stand-out art works they saw that day. They also discuss their mother's contribution to their love of art in honor of Mother's Day. Then they fall down a rabbit hole of other trade shows or fairs they'd be interested in attending including Private Jet Shows, Yacht Shows, and gun shows. And finally, Jerry teaches the girls about the subcultural phenomenon of The Gathering of the Juggalos. 

In episode 2, Annie and Jerry discuss the Cape Town cleanse, swag looting in First Class, and the drunk dialing on Phenergan. Despite facing health issues during the trip and not being able to fully explore the art scene as planned, Jerry shares anecdotes about her experiences, including some of the incredible galleries and art works she encountered while in Cape Town.

Jerry and Annie also address an important issue in the art world regarding the fair treatment and timely payment of artists. Upon hearing her (formerly) favorite Cape Town galleries has a reputation for stiffing their artists, the gals discuss the mechanisms that put artists in a vulnerable position to get stiffed by galleries and reflect on the need for proper contracts and legal protection for artists before exhibition sales.

Additionally, the ladies touch on the controversy surrounding luxury retailer Hermes and their alleged practice of reserving Birkin bags for high-spending customers comparing and contrasting the Art Market to the luxury retail market.

And finally, Jerry takes the opportunity to rip apart Art Speak, again, and Annie talks about the "out of touch" Whitney Biennial currently on view in New York.

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In this episode of Art Smack, Jerry Gogosian and her new co-host Annie Taylor kick off season two with a lively and somewhat chaotic introduction, setting the tone for an episode filled with personal anecdotes, insights into the art world, and a candid discussion about the intersections of art, business, and ethics. Annie brings a rich background in art history and business from her studies in Louisiana, experiences working at an auction house and Art Basel's satellite fair, and her current role in Fine Art Logistics.

As the episode unfolds, does a play-by-play of Frieze Los Angeles, Felix, and all of the parties surrounding last week's celebrations. Annie and Jerry also delve into more serious topics, including the departure of the previous co-host Matthew, who left the art world to pursue more lucrative endeavors, ahem, finance. This episode also introduces our transition adding a video component to the podcast & adding new levels of awkward to the podcast :) The discussion takes a deeper dive into the challenges and pressures of pursuing an MBA, with Jerry sharing personal struggles and revelations about sunk costs, risk aversion, and the stark realities of legal and ethical business boundaries compared to the art world's more fluid norms. This episode's narrative weaves through tales of personal growth, a surprising opportunity with United Talent Agency, and a commitment to making strategic financial decisions as an artist. The episode encapsulates a the blending of art and commerce, and the importance of embracing change and opportunity without losing sight of one's roots and values in the art community.

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